Blog Archives

Books of Epic Proportions

Dan Brown. J.K. Rowling. Tom Clancy.

And now J.J. Abrams apparently.

Reading books is still a popular leisure activity, despite how it may pale in comparison to venturing off to the movie theater to see the next big blockbuster sensation. The bottom line is that people enjoy stories of all genres with varying temptations and hooks. One day it may be action or adventure, the next could be drama and romance and the weekend may be primed for mystery or humor. The imagination has no limitations and is, therefore, eternally receptive to stories of all variations and styles.

In recent years, the word, “epic” has flown into our lexicon as nearly the same speed as Superman himself. There was even an animated film titled, “Epic” released earlier this year. While book releases rarely create epic fanfare or global pandemonium, there was one yesterday that just might expand literature into an unseen dimension of creativity.

Famed filmmaker J.J. Abrams, who is prepping the Disney reboot of “Star Wars,” had his book (co-written with established writer Doug Dorst) debut to the public yesterday. The title of the nearly 500-page mystery, “S,” may be the beginning of a new style and era of creative writing.

Yesterday, it was J.J. Abrams releasing an original novel. Who will be next? Steven Spielberg? James Cameron? Kathryn Bigelow?

Dare I dream for an original novel by Christopher Nolan?

There is no singular style, method, genre or process to writing, acting, directing and producing an epic blockbuster. There are unequivocal similarities, no doubt: original story, great characters, plot twists, big, yet believable action for the setting, stunning cinematography, hints of ambiguity, etc. But each crew has done it differently with a certain trademark.

Imagine this formula translated into an original novel that reads like an epic Hollywood movie that instinctively provokes intrigue and that relentlessly illustrates vivid scenes in our minds like the flow of some of our favorite movies?

Incredible books with the similar qualities listed above have and are being written. However, the scale of these literary adventures, mysteries, romances, etc. would be new with a particular cast of writers.

Try to envision a movie in IMAX with a powerfully unforgettable soundtrack somehow captured and placed within the binding restraints of a book.

There is a grandiose expectation with J.J. Abrams’ book because of his acclaimed cinematic skill set and storytelling accomplishments behind the camera. People will be expecting that “it” factor that will definitively distinguish “S” above the other available mysteries on the shelf.

Adapting popular books into movies is a common practice in Hollywood. And these scripts usually sound as if it were penned by an author instead of a screenwriter. The pace and style of the dialogue and the patience paid to character development is discernible. It’s not always absolutely good or bad, but it certainly is noticeable to the audience.

Last year, in late November, director Christopher Nolan made a rare public appearance to participate in a solo forum in New York City with a small audience to discuss his current, “Dark Knight” trilogy, his past movies and his then upcoming role in “The Man of Steel.” In fact, it happened on a Wednesday. Due to a contradictory statement given to me about a conflict at work that Wednesday and following Thursday, I had to refrain from securing one of those rare tickets when one was remarkably available.

I digress.

Christopher Nolan had agreed to answer a few questions from fans and/or attendees during this gathering. The question I submitted was essentially this: “Have you ever created your own original superhero with a corresponding universe and enemy(ies)? If so, who is it? What are his or her superhero powers? If not, would you ever be interested in such a venture?”

I was interested in not only my question, but all of the questions, plus his responses of course.

Maybe he read my question, maybe he didn’t. But if he did and the answer is yes, the possibilities and excitement among his fans would be difficult to contain.

The aura that surrounds “S” was palpable the moment I held it in my hands. There is a unique power and influence that radiates and thrills from the work of creative cinematic storytellers. Imaginations simply run wild with the stories they tell.

I just hope more will soon put it in writing.

The Annexation of Patience

There is a trend in sports that has transformed analysts and “experts” into Bingo contestants that frequently stand-up with bravado and gusto to shout “BINGO!” for all to hear.

The only problem is that this occurs after only marking off one letter.

College football punditry is a perfect example of this evolving dynamic. There is a tendency to want to declare with absolute certitude the two best teams in the country each week. Admittedly, it is perfectly okay to speculate about teams and their corresponding achievements and failures. Totally fine. These are fun debates. However, it shouldn’t be exercised in the definitive nature that is done today. Three games into the season and the national championship is already being predicted with incomplete statistics from some of the aforementioned analysts.

Will the BCS Standings remain exactly same by the end of the regular season? Probably not. And that’s partly because of the unpredictable and inspirational dimension of college athletics.

It’s a weird phenomenon: these analysts love to watch college football, but they are more often than not so eager to chisel in stone certain bowl match-ups with incomplete statistics and records that they end up not allowing football teams the “ridiculous” courtesy to work hard, improve and then play their best game by the end of the regular season as a final exclamation point to their fall campaign.

As written above: weird.

While the schedules for most Division 1 college football teams list around 12 games, the attention span for most analysts seems to range from 5-7. At this point, most of the “experts” would have you believe the top two teams are pretty much penciled in (not with a pen, but pencil mind you) and that the remainder of those seasons are mere technicalities.

Of course, do you know how many “technicalities” have resulted in shocking upsets or surprising victories?

One of the amazing aspects of college football (and college sports in general) is that anything can happen…anything! In college, the underdog, whether a single player or an entire team, has the potential and opportunity to shine for that one play or one drive to win the game or to make a strong goal line stand to complete an upset for the ages.

What’s even more incredible is how many of these moments occur during the final seconds of the last games of the season when everything is on the line.

Hopefully, the lighting crew won’t turn off the lights in the stadiums on those players, coaches, teams and fans when those unbelievable plays happen at season’s end.

Technically speaking, that would be a terrible thing to do. And the same notion goes for day games as well.

Otherwise, the world may never have witnessed the incomparable, “Annexation of Puerto Rico” that only works as the last play…

Those “one time” moments help make up the magical fabric of sports.

So, let’s just sit back, relax and watch some football.

You just may see something special.

Rule #21: When Possible, Change the World

The United States of America is struggling. Among its many, many issues, the workforce is experiencing a paradigm shift. The world we live in today is collectively causing and forcing friction with the nation’s population by forcing 20th century norms and preconceived notions to crash, coincide and adapt to 21st century promise, mystery and reality. The debate of public vs. private extends beyond technology and is a dilemma that will long hang over our society like an overcast cloud for years to come.

“The Internship” is a buddy comedy starring Owen Wilson and Vince Vaughn who star together in a movie for the first time since their 2005 smash hit and cult classic, “Wedding Crashers.” The opening sequence will undoubtedly get you psyched out of your mind for the long-awaited comeback!

It’s a film about great watch salesmen, Billy (Vince) and Nick (Owen), who discover during a pitch at a fancy restaurant that their company had recently folded. The time had arrived for two stellar salesmen of the 20th century to slowly walk into the strange playground of the 21st century.

The premise of the movie is that they are two individuals, who are not tech savvy, that apply for internships at technological giant Google.

Let the hilarity ensue.

Not only does the story contrast and expose generational differences between ’70s kids and Millennials, but it presents a pretty fantastic template for the immediate and far off future:

The competitive internship program.

“The Internship” has, without revealing any critical story or plot details, shown that a competitive internship program with a pool of 5-10 or even up to 100 people (depending on the company) could be the perfect test for employers to assess, judge and determine if an applicant or applicants are truly qualified for a job at their company. Individual and team exercises, plus voluntary employee interactions, would ultimately determine if an offer would be extended for employment.

Instead of relying so heavily on a résumé and a singular interview, an engaging competition of sorts could be the bridge between not only employers and hopeful applicants, but also the bridge between the 20th century and the increasingly interactive and connected 21st century.

Yes, it’s true that most companies do not have the free flowing cash for such an extravagant program like portrayed in “The Internship,” but it should be used as a template to varying degrees. It has been reported that companies are cutting back on training, which contributes to an applicant having to try to unrealistically meet 100% of the advertised skills for a job opening. Even with a great education, not everybody is perfectly fit for a job in most any industry on their first day. There is a learning curve. An important quality to consider is if the person applying is like a fine wine:  great core knowledge with exciting flavors/skills that only get better with each passing day.

Competitive internship programs, for certain industries, could provide the public with one of the most critical qualities missing from most of today’s employers: an opportunity. Just to give people a chance to try, learn and shine.

That’s really what most people are yearning for these days.

Correction: That’s what most Americans are yearning for these days.

After all, the concept of opportunity was part of the foundation of the United States of America. It’s time for a 21st century reboot of that brilliant idea.

It could work.

The Man in the Black Fedora

Thanks to the digital magic of the DVR, “The Blacklist” was last night’s feature once the awesomeness of, “The Goldbergs” rocked its final inspiring nostalgic note for the week. Another great half-hour journey back to the ’80s.

The power of the VHS tape…

Focusing back on, “The Blacklist,” this national security mystery added yet another name to the aforementioned list. The diabolical characteristics of the villains continue to shock and surprise, while the anti-hero Reddington remains a constant. However, Reddington is different than most television leads.

Why?

The answer boils down to the actor who plays him…or is it the other way around?

James Spader is weird, smart, sharp, cocky, borderline creepy and full of ambiguous intrigue.

He’s like a perplexing painting in a museum. At first glance, you think you have it all figured out. Then, as you begin to walk away, you take a second look and something’s changed. You gently rub your eyes in a bewilderment, but you’re still convinced something definitely changed. After a minute passes, you don’t want to or think you need to stay in the room, but you’re in a trance. The experience is downright odd, leaving a void of all the answers you seek. You can’t help but continue to look, searching for the exciting answer.

Spader has played lots of memorable roles, but Reddington suits him as perfectly as the three-piece suits he wears (plus the dynamite hats). As crazy and insane as it may read, it’s easy to imagine that James Spader is like Reddington in his spare time. As in that’s how he acts on the weekend. No big deal, just a Thursday-Saturday excursion to the Bahamas to Paris to D.C. with the itinerary consisting of moral dilemmas, beautiful women, breathtaking locations and powerful enemies to manipulate and defeat.

And one cannot forget about a delicious and savory meal in a five-star hotel with a bodyguard.

His eerily reassuring presence is one of the primary reasons why this show has been such a success thus far. Writing and portraying the story lines of, “The Blacklist” for network television without a major motion picture budget has proven to be difficult in the past. Consequently, the final product has come off as campy and, therefore, lacking in believability.

Not “The Blacklist.”

The action is explosive, the suspense is palpable, the settings are realistic, the characters and their movements are precise and gritty and the twists are startling and fun.

“The Blacklist” is accomplishing (so far) what all good television shows and movies achieve, which is temporarily relieving the viewer from his or her reality to fully immerse ones self into the dramatic, comedic and/or action packed world for a short period of time. We’re not simply watching the actors or actresses portray characters, but are instead embracing an engaging, puzzling story unfold through the guidance of a reticent lead.

Who is Reddington exactly? Why does he insist on working with Agent Keen?

We’ll just have to wait until next week for the 6th episode…or viewing.

The good news about a television show and a museum is that there are no visitation limits.