Continuing this week’s dedicated blog posts leading up to the series finale of ‘The Big Bang Theory’ this Thursday night on CBS, it’s time to learn about the man behind the outcast science nerds.
Chuck Lorre, TV’s 66-year-old mega-producer of popular
sitcoms half-hour comedies, including ‘The Big Bang Theory,’ did not have a traditional route to his current position. In actuality, his long and winding path to the executive producer, show creator and showrunner that everyone wants today pivoted on the spur of the moment with a succinct determination that translated into one of the best elevator pitches.
It was an elevator pitch that, unlike a broken elevator in a certain Pasadena apartment complex, worked to help him move on up to the successful side of life.
Kaley Cuoco, Jim Parsons, Johnny Galecki, Simon Helberg, Kunal Nayyar, Melissa Rauch, and Mayim Bialik will be missed as a cast. Together, they delivered in so many ways — comedically as well as with those rare sweet moments like the napkin signed by Leonard Nimoy — that made them and ‘The Big Bang Theory’ must-see TV for 12 years. But we must also give credit to the men and women behind the scenes and cameras on set for creating the fictional world within Pasadena’s science community that millions of people around the world relate to and enjoy.
Chuck Lorre is one of these people.
And his personal story from a struggling musician to a prime time storyteller is not theoretical. It evolved his way, according to the script he was unknowingly writing for himself more than three decades ago.
Steven Spielberg has received criticism for comments he made related to Netflix and how films on the popular streaming service should not being eligible for an Academy Award. While the legendary director did not need to clarify because he is correct (this writer’s opinion), the Academy Award winner just added some clarity on the ever-relevant issue for films in this technologically evolving era through the New York Times.
“I want people to find their entertainment in any form or fashion that suits them,” Spielberg said in a written statement sent by email to The New York Times. “Big screen, small screen — what really matters to me is a great story and everyone should have access to great stories.” He added, “However, I feel people need to have the opportunity to leave the safe and familiar of their lives and go to a place where they can sit in the company of others and have a shared experience — cry together, laugh together, be afraid together — so that when it’s over they might feel a little less like strangers. I want to see the survival of movie theaters. I want the theatrical experience to remain relevant in our culture.”
As covered on Jimmy’s Daily Planet, Mr. Spielberg recently embraced the future of Apple via Apple TV+ as a directorial partner and storyteller. The more movies by Spielberg, the better. What’s equally important is that he has stated in the past how impressed he is with the quality of TV these days. And what’s most important for movie fans to hear — with Netflix, Hulu, Amazon Prime Video — are the last three sentences of Mr. Spielberg’s statement above, with particular emphasis on the final two sentences.
“However, I feel people need to have the opportunity to leave the safe and familiar of their lives and go to a place where they can sit in the company of others and have a shared experience — cry together, laugh together, be afraid together — so that when it’s over they might feel a little less like strangers. I want to see the survival of movie theaters. I want the theatrical experience to remain relevant in our culture.”
Steven Spielberg — the man who brought the late Michael Crichton’s dino DNA to the big screen in innovative, entertaining fashion like the world had never seen before — is pragmatically nostalgic for the days when seeing a movie in a dark theater was a major public event on Friday and Saturday nights. There are a time and a place for watching TV shows and movies at home. And there are a time and a place for watching a summer blockbuster in a movie theater near you.
44 years after Spielberg’s ‘Jaws’ became the first summer blockbuster and the movie theater in 2019 is still the only place where a film is projected larger than life.
Communication is not held at the same level of prestige as other areas of occupation. I say this as someone who majored in communications, specifically journalism. It’s a very frustrating perception but a perception nonetheless. However, those who can communicate effectively have the golden opportunity to change a stranger’s life forever.
In a comedic way or an equally memorable and impactful non-comedic way.
And now we know:
If you turn around when you hear your name called, you can turn around someone’s life–and yours.
P.S. Always keep a Sharpie pen on you at all times.
‘Westworld’ is a television enigma for the modern era, or whenever the show takes place in the 21st-century future.
Aside from Reddit users who routinely dissect each episode with a scalpel, sometimes to the playful annoyance of Jonah Nolan and Lisa Joy, who are the head writers, co-creators, and husband and wife duo of the critically-acclaimed HBO-adapted series. There was a moment at Comic-Con between the first and second season of ‘Westworld’ when a fan at a large panel asked Mr. Nolan about “Samurai World,” and the famed screenwriter dryly replied with his eyes staring downward, “Do you want there to be a Samurai World?”
It was all in good fun, of course, as he enjoys the constant conversations Reddit users engage in concerning ‘Westworld.’
Mr. Nolan recently gave insight into his digital relationship with Reddit users, as well venturing into the risky contortion act in moviemaking known as high-level casting from a writer’s perspective with a familial connection.
FYI – There are a couple f-bombs dropped in the following Hollywood Reporter interview
Jonah Nolan is no joke yet he is a joker in the way fans want him to be as a writer and storyteller.