To celebrate National DNA Day, it seems fitting to dive into the intriguingly complex subject of human cloning with a twist.
Despite a variety of biological obstacles, human cloning will remain on the “To Do” list of mankind for the foreseeable future. Success in this field promises exciting (yet dangerous) possibilities for future generations on many levels, known and unknown. The applications for such an achievement are endless. However, considering the fact that there are serious ramifications that can impact the life of the clone and the original
copy individual, the gamble seems too steep these days. Take into account the signature adverse effect of cloning animals, according to the National Human Genome Research Institute.
“Reproductive cloning is a very inefficient technique and most cloned animal embryos cannot develop into healthy individuals. For instance, Dolly was the only clone to be born live out of a total of 277 cloned embryos. This very low efficiency, combined with safety concerns, presents a serious obstacle to the application of reproductive cloning.”
This same report stated that Dolly lived half of the expected lifespan for a regular sheep. Even using the term “clone” appears to be in the experimental phase of cloning.
Now enter Hollywood.
And now enter a fictional reality in which human cloning is not only shockingly accurate and lethal but taken to a new level (or back to a level) of personal nostalgia.
Ladies and gentlemen, Will Smith presents the first trailer for his new film ‘Gemini Man’ that will either be really good or it will fall into the undesirable ‘After Earth’ territory.
Visionary director Ang Lee (Life of Pi, The Hulk) and actor Will Smith (we all know his TV and movie resume) will surely bring their signature skills to this action movie centered on next next-level human cloning. The question — and success of ‘Gemini Man’ — rests solely on screenwriters David Benioff (‘Game of Thrones’), Darren Lemke (‘Goosebumps,’ ‘Shazam!’), Billy Ray (‘Hart’s War,’ ‘Shattered Glass,’ ‘Captain Phillips’).
The story’s hook and the final note of its third act just better not be another Hollywood science fiction clone of its own.
‘Gemini Man’ arrives at a theater near you on October 11, 2019.
If you don’t dream big, then your dreams will be medium or regular-sized.
Does that make sense? Well, it makes as much sense as…
Start dreaming big today, preferably like the Bruce Willis character in ‘Die Hard’ or Arnold Schwarzenegger in his classic action films, or like Dwayne “The Rock” Johnson trying to imitate Bruce Willis and Arnold Schwarzenegger with obvious remakes of old favorites.
AND also start and/or continue watching the new season of the funny cop sitcom ‘Brooklyn Nine-Nine’ on Thursday, January 10 at–you guessed it–9 p.m. as it heroicly jumps to its new home on NBC with star Andy Samberg by its side.
Have a Better Week Than Last Week.
Movie and TV soundtracks are a musical art form reliant on imaginative pressure points and successful through emotional connection. Somewhere between the macro and the micro of the sound is the sweet spot of where we find ourselves between the intricately placed notes of the composer.
And in the case of the Paramount original series ‘Yellowstone,’ it’s composer Brian Tyler who has created a theme song as unique as the famed western escape.
For me, the ‘Yellowstone’ theme song draws me in by the past of Yellowstone yet I remain for the prospect of exploring a place like Prospector, Utah in the future.
Music is one of the most powerful forces in the world. The right song, lyrics, and sound can inspire us in ways that are–forgive me in advance–impossible to describe. And this motivational dynamic can occur instantaneously from hearing a quick, short succession of notes or words. We recall fond memories, tough times and/or are reminded of a dream we’re in pursuit of via a full, intensely determined sprint.
Ok, enough sneaky wordplay.
Here’s an extended version of the orchestral theme song from the recently released ‘Mission: Impossible – Fallout’ that, like the film, adds spectacular accents that elevate the song to something bigger and better from the song’s simple yet defining origin.
So who wants to
skydive HALO Jump into Paris?