For around a year, I’ve been waiting for a particular package to arrive. Patiently…waiting. No, it wasn’t late. This time, the package just took a while, and for legitimate reasons. The contents of which were going to be amazing and, honestly, out of this world when opened.
Well, at least a spectacular replica of something that was literally sent out of this world 40 years ago.
And this package arrived today!
(Pictures and a review to follow next week)
As expected, the book, the albums and the disc sleeves are spectacularly designed and produced. It’s surreal to receive such a cool piece of history in the mail, courtesy of Kickstarter.
The fundraising and reward-based company has been good to a lot of innovators, dreamers and customers (like me) over the past several years. Thanks to Kickstarter, I’ve ridden a real-life hoverboard (no wheels, an actual hoverboard that hovered above the ground in Silicon Valley), possess a limited edition board game inspired by Christopher Nolan’s epic film Inception (that came inside a silver briefcase) and can now play NASA’s famed Golden Records on a turntable and/or digitally.
If the Golden Record was re-recorded with a few new songs, images and earthly sounds today, one specific thing comes to mind above all the worthy contenders…
the B-movie masterpiece Independence Day.
Just as a nice reminder, in case the aliens ever got any ideas.
Yet another confirmation of the adage that things were better in the “good ol’ days”?
As of now, specific details on how the new Total Request Live are mostly scarce. It’s presumed that it will follow a similar format to the original series which combined an interactive user-determined music video countdown with celebrity interviews, live performances and more. One thing we know for sure is that Carson Daly will not be returning for the new TRL, and he’s been replaced by five relatively unknown hosts.
–Ethan Anderton, Slash Film, “MTV is Rebooting ‘Total Request Live,’ But How and Why?”
The primary problem with this reboot (before it even airs on MTV) of this popular after-school show dedicated to fun music and celebrity interviews and premiering hot music videos pre-YouTube and social media is that the show’s defining host, Carson Daly, either passed on this forthcoming project or wasn’t asked. The former reason seems more likely, but it’s ultimately irrelevant.
There were lots of guest hosts in the prime TRL (Total Request Live) days in that very cool lounge-like studio. And while some guest hosts were entertaining in small doses, TRL was Carson Daly as much as Carson Daly was TRL. Mr. Daly was the
captain of the ship lead singer of this amazingly awesome band that sold out both arenas and tiny clubs in equal measure. Plus, he knew/knows everybody in music. The genre doesn’t even matter. If you’re talented (rising or established), Carson Daly knows and he’ll score an exclusive. It’s what the fans wanted and what the fans loved about Carson Daly’s TRL.
Add in the fact that this TRL reboot is on an MTV today that is far different than the golden era of the ’80s, ’90s and early-to-mid ’00s of this music-centric channel. For a cable channel, MTV was king for a long time. Oh, and by different, I mean way, way worse in 2017 and its recent years. As in completely unrecognizable and, yes, unwatchable.
Without Carson Daly (NBC Today Show) and the incredible bands and singers of the late ’90s and early-to-mid ’00s, the TRL reboot, as cool as it could be, looks like its heading down the same road as modern day MTV:
Pro tip: Nostalgia doesn’t work years later if it’s unrecognizable to its dedicated fans.
Just ask MTV (and all of the people who have stopped watching throughout the past decade).
Christopher Nolan’s highly-anticipated World War II epic Dunkirk doesn’t premiere in movie theaters for a couple weeks.
Lucky for us, one of the songs for the forthcoming war film by composer Hans Zimmer made its way out of enemy gun fire, via WaterTower Music (ie- Warner Bros.).
What is it with famed directors and composers and the word “super” and the number 8 (think J.J. Abrams, Steven Spielberg and Michael Giacchino of the science-fiction thriller Super 8)?
At 8-minutes in length (8:03, to be precise), the titled track, “Supermarine” is everything you’d expect from a Hans Zimmer-Christopher Nolan collaboration. That’s an intense, emotionally climbing tempo with a larger-than-life feeling that puts you squarely into the action projected on silver screens so immersive as to blur the line between the film and reality.
This is the point where you’re itching to play the song again. Go ahead. I’m doing the same thing. And if the soundtrack is already this powerfully engrossing, just imagine what the action sequences are that this music was acutely designed for…let alone the sound of the remaining soundtrack.
Mr. Nolan and Mr. Zimmer seem poised to present war cinematically and musically we haven’t yet
seen and heard experienced.
As if “Supermarine” isn’t enough of a clue to confirm that declaration.