Just a reminder that Toto’s hit single “Africa” is still playing non-stop in a mysterious spot in the Namib Desert, which was the focus of a Jimmy’s Daily Planet blog post back on January 17 of this year.
Most “Throwback Thursdays” are considered timeless because of the subject’s nostalgic value. However, in this case, the everlasting staying power of Toto’s “Africa” is more literal than most in this category of beloved nostalgia.
Upon further thinking, would this specific blog post qualify as a “Music Ditty Miracle”? After all, its legacy is up there with other musical titans.
(Bonus points–well, six points and an extra one–for those who get the reference)
The 1984 cult classic ‘Gremlins’ has stood the test of time–well, at least 34 years thus far–as a case study in the cinematic quality and effectiveness of practical effects. Specifically, puppeteering. While CGI (computer-generated imagery) has its place in films, that place should be limited and difficult to decipher or not distracting from reality.
Gizmo is proof of this.
Once again: That movie called ‘Gremlins’ achieved this impressive feat in the mid-’80s. Yes. It’s true.
And the rewards for dedication to practical effect artistry in the ever-innovative movie industry almost can’t be measured in tangible metrics. The expectation for good storytelling demands the best of everything while we escape into a fantasy setting, which includes two-dimensional ropes for audiences to hang onto.
This expectation even reaches (well, reached) into our own reality.
Warner Bros. understood that blurring the line–and even creating a direct link–between a movie and our daily life is the most valuable metric.
A metric that shouldn’t be tracked past midnight.
On this Throwback Thursday, it’s time to venture back to the ’80s.
All I have to say is ‘Ready Player One,’ ‘The Goldbergs,’ ‘Stranger Things’ and Weezer’s “Africa” rendition and you understand how beloved that decade remains in 2018 with all of us who lived during it. And now new generations are getting a nostalgia-high for a decade that solidified Steven Spielberg, was driven by a robust economy and discovered that Guns N’ Roses had an appetite for entertaining destruction on and off stage.
Add The Midnight to the aforementioned mix above who–in 2018– is proving why the ’80s was one of exploration that discovered a lot about ourselves individually and collectively.
This song should’ve been in ‘Ready Player One.’ Maybe it’ll be in the forthcoming book (and film) ‘Ready Player Two’?
That would be totally bitchin’ (the second throwback this Thursday).
For a “Throwback Thursday” to remember, I–well, Netflix–present to you the trailer for the final film by Orson Welles titled ‘The Other Side of the Wind’ that will finally make its worldwide premiere at the 75th Venice International Film Festival tomorrow after around 40 years of tinkering.
‘The Other Side of the Wind’ will premiere on Netflix on November 2.