Did he answer?
The iconic filmmaker is tackling his first DC Comics property, the World War II action-adventure hero Blackhawk.
Spielberg, along with his Amblin Entertainment, will produce Blackhawk for Warner Bros. and is developing it as a directing vehicle, the studio announced Tuesday. The move reteams him with the studio behind his latest tentpole, Ready Player One.
David Koepp, who has worked with Spielberg writing the blockbusters Jurassic Park, The Lost World: Jurassic Park, War of the Worlds and Indiana Jones and the Kingdom of the Crystal Skull, is penning the script.
–Borys Kit, “Steven Spielberg Tackling DC Comics Movie ‘Blackhawk,'” The Hollywood Reporter
DC Comics officially has all bragging rights concerning its cinematic director’s club. Of course, there’s Richard Donner. And now Steven Spielberg. Following the massively successful Ready Player One, Mr. Spielberg will be embracing the superhero genre seen throughout the aforementioned film for the first time in his illustrious filmmaking career.
Ladies and gentlemen, this is not small news. Particularly with the recent struggles for DC’s movies, signing Steven Spielberg is a game-changer.
While I’ve always wanted Mr. Spielberg to direct a new Superman film and/or trilogy with his team at Amblin, he is perfectly suited for the DC Comics character and story based during World War II. Having already tackled this war in a couple different lights, fans of movies and great storytelling–not just DC Comic fans–should be excited.
Steven Spielberg has proven he can do virtual reality motion-capture at a brilliant level, as well as gritty realism whilst subtly interweaving movie magic that hits a crashing crescendo by the end of the third act with a signature-impact that lasts a lifetime.
DC Comics has allied themselves with the right movie director.
P.S. Check out the Amblin logo below. Notice anything ‘super’ about it?
Richard Donner’s 1978 cinematic masterpiece Superman is considered the greatest (and the most perfect) superhero movie ever made. That’s not just my opinion, but the opinion of some of the most influential people in the movie industry. Director Christopher Nolan said the following regarding the Richard Donnner-directed Superman.
“I said, ‘I want to do for Batman what Dick Donner did for Superman,’ ” Christopher Nolan humbly states in the opening of his nearly half-hour conversation with the director of the original “Superman.”
Kevin Jagernauth, IndieWire
Need more proof of the super genius Richard Donner showcased in that unforgettable origin story of Kal-El/Clark Kent/Superman way back in the late ’70s with Christopher Reeve?
How about getting the super rivals DC Films president Geoff Johns and Marvel Studios president Kevin Feige to wholeheartedly agree on the personal impact and storytelling legacy of 87-year-old Richard Donner and, specifically, that Superman film (a priceless DC property)?
Some of Hollywoods biggest stars, in front of the camera and behind the camera, gathered together recently to celebrate and honor the unforgettable work of the legendary director and producer Richard Donner at the Samuel Goldwyn Theater in Los Angeles. Actors and actresss from his most popular movies were in attendance, including the primary cast of Lethal Weapon and the kids from The Goonies.
Here are a few of Richard Donner’s films/credits:
- The Omen (1976)
- Superman (1978)
- Superman II (1980)
- The Goonies (1985)
- Lethal Weapon (1987)
- Lethal Weapon 2 (1989)
- Lethal Weapon 3 (1992)
- Maverick (1994)
- Lethal Weapon 4 (1998)
This celebration of Mr. Donner’s work reaffirms the belief (and I’m a firm believer in the following) that a cinematic masterpiece does not always require mind-blowing special effects or the biggest explosions or the use of bad language for the sake of using bad language for that edge or street cred. Sometimes, a great movie just requires a hero people can believe in who struggles with similar issues and moral dilemmas as the people watching in theaters and at home.
That, above all, is Richard Donner’s storytelling legacy. In this sense, Richard Donner is a
super man superman.
The first silver screen movie starring Wonder Woman is, yes, doing wonderfully with audiences and critics alike.
Actually, to be blunt, Wonder Woman is kicking some serious ass in movie theaters across the
“With $100.5 million in North America and an additional $122.5 million internationally, Patty Jenkins’ Wonder Woman can boast the biggest-ever opening weekend for a film directed by a woman, Variety reports.”
–Kaitlyn Tiffany, The Verge, June 5, 2017
Gal Gadot (Diana Prince/Wonder Woman) was the scene stealer in 2016s Batman v Superman: Dawn of Justice. Ms. Gadot proved she could hang alongside Batman and Superman. Now, she is proving she can handle the big screen all by herself.
A super statement in more ways than one.
In Wonder Woman, Ms. Gadot shows off her skills and natural characteristics of a superhero capable of shining in the brightest cinematic spotlight and, more importantly, in the cultural spotlight for women and young girls. And to celebrate the historic opening weekend, let’s listen to the epic theme song for Wonder Woman written and produced by the brilliant musicial composer Hans Zimmer from Batman v Superman: Dawn of Justice.
The specific title of the Wonder Woman theme above is, “Is She with You?”
No, she’s with all of us.
Have a Better Week Than Last Week.
First and foremost, my Captain America had a successful open-heart surgical procedure yesterday and this person is resting comfortably!
One certainty from this experience (though a lengthy recovery awaits) is that, from what I was told, this person was brave throughout the whole process. This individual combined a scary reality with the universe that stars Captain America to remain calm for the major surgery.
Quite a super mindset, wouldn’t you say?
For the foreseeable future, Marvel and DC Comics will be relentlessly writing and producing summer blockbusters that feature its best superheroes. It’s true. Though the most recent “Age of Superhero Movies” started several years ago, the imagination and intriguing dynamics from all of these films is unmistakable. It’s increasingly weaving itself into mainstream culture with t-shirts worn by virtually every type of person these days, more energized conferences, relevancy to real world events and dilemmas, along with the admiration of the cinematic quality from top-shelf directors and cinematographers. Also, note the popularity of The Big Bang Theory.
What does this mean?
In an era where institutions and its leaders are continually (and sadly predictably) letting us down, there is an empty vacuum to be filled for over-arching societal guidance. It’s becoming more and more apparent that characteristics of famed-superheroes are being adopted and relied upon by us to help react to the chaotic events of our personal lives and the world around us. Instead of looking up for leadership, we’re looking next to us at our fellow men, women and children. The varying exercise of the power of the individual in our highly publicized, social media-driven culture is generating a collective pulse of inspiration (remember Batkid?) that all of us can admire and reach to for our own struggles.
Maybe, just maybe, we’re building the foundation for a super population and culture in the 21st century.
“A hero can be anyone. Even a man doing something as simple and reassuring as putting a coat around a young boy’s shoulders to let him know that the world hadn’t ended.”