Monthly Archives: November 2014
The Impossible Renaissance
“Mankind was born on Earth. It was never meant to die here.”
The day has finally arrived: Interstellar in IMAX hits theaters nationwide. Reaction to this film will follow next week. But, for today, it seems fitting to travel not into space, but back in time to watch the first trailer released one year ago. The purpose of this is to remind ourselves of the simplistic nature of this daring and dangerous space opera set on the biggest stage (an undiscovered Universe) with Earth’s survival hanging in the balance.
Interstellar is intelligent science fiction with heart.
Some may dare to say it has the potential to join the best of both worlds (literally).
When Harry and Lloyd Met Tom
Monday, November 3, 2014: The (“T-T-hey…the”) Regency Theater in Los Angeles was the destination for the premiere of a sequel that’s been in demand by its loyal fan base for the past 20 years. Yes, Dumb and Dumber To, with its original directors (The Farrelly brothers) and stars (Jim Carrey and Jeff Daniels) really happened.
“I’m gonna hang by the bar, put out the vibe.”
For the first time since that benefit in Aspen with all those French people and salmon of Capistrano, Jim Carrey and Jeff Daniels donned a tuxedo in the discreet colors of orange and blue. Except, elite fashion designer Tom Ford (who has made suits for Daniel Craig’s 007) helped make that iconic fashion statement suitable (yes, that just happened) for 2014 with black pants and checker-patterned jackets with the trademark bow tie. The picture below is a modern throwback to the most famous custom-made suits in pop culture history.
But this wouldn’t be a true throwback on this Thursday without traveling back in time 20 years…
Put me down for two tickets, in case I want a second viewing.
Dawn of a Soundtrack
“Zimmer will only be scoring the Superman parts of the film, according to an interview he gave to Comic Book Resources, while Junkie XL is going to handle the Batman side of things, also scoring the movie. The idea of having two composer working against each other and together over the course of the film feeds directly into the nature of the film.”
–Drew McWeeny, Yahoo’s HitFix
Zack Snyder is proving to be a thoughtful and creative director of the Batman v Superman: Dawn of Justice movie, expected to be released in a year and a half in the middle of 2016.
Snyder is thoughtful because while he is again working with famed composer Hans Zimmer in a follow-up to Man of Steel (which Hans composed and Snyder directed), Snyder is respecting the mesmerizing and unforgettably epic soundtrack Hans created for Christopher Nolan’s acclaimed Dark Knight trilogy. This yet-to-be-release movie will feature a new Batman with a new creative team (except for David S. Goyer). It would have been easy (and quite frankly) expected for Snyder to reenlist Zimmer to scribe a new Batman theme. But, out of respect to the stand-alone trilogy and to Zimmer himself, Snyder has excitedly asked him to expand the already praised modern soundtrack to the current Superman: Henry Cavill.
Dawn of Justice will star a new Batman in a new story. And Superman’s story is just beginning, with the origin chapter now complete. So, well done Snyder, well done.
Snyder is creative because he is challenging and, in effect, daring a musical maestro, which has the thrilling potential to result in something quite magical. The process will likely be partly uncomfortable, and yet exciting for both composers. The battle royale of all battle royales in superhero culture will not only have an epic stage, but it will have an epic, multilayer musical journey. This arrangement of competing composers appears to be unprecedented, therefore its creativity reading is rightly off the Richter scale.
Still more than a year off into the horizon, it’s reassuring to read that the director of an upcoming cinematic adventure for the ages starring the two most storied superheros in history understands the gravitas of these characters and seems to be rising to the immense expectations of its dedicated and anxious fans.
That’s music to everyone’s ears.
Something From Nothing
“We don’t like him/her/them.”
This pretty much (though not entirely) sums up the 2014 midterm election messaging strategy from both Republicans and Democrats. That, and the convenient amnesia of whether Democrats voted for President Obama and the audacious weight that comes with asking such a prying, personal and Constitution-violating question (at least in Kentucky…apparently). The conventional statistical analysis currently points towards the Republicans gaining the majority in the Senate, improving their legislative power and influence. It would be, undoubtedly, a partial result of the relentless incompetence of President Obama and his administration and the continuous stream of national scandals and terrible foreign policy decisions (Romney…Romney), plus the current Senatorial gridlock led by Sen. Harry Reid. However, it would potentially be achieved without any clear, inspirational policy initiatives for the 21st century American worker: employed, unemployed and underemployed. This is a major problem, but also the key opportunity for 2016 and the 21st century from a governing standpoint. The political party that can develop, articulate, implement and defend broad and specific economic policies for the ever-changing globalized economy in a “turn-of the-century” kind of way that proves compatible with the many challenges facing white and blue collar workers today and tomorrow will take the future.
It’s really that simple. Be true to your convictions and do so with intelligence, purpose, composure and sympathetic awareness.
That will, in a macro sense, be the 2016 election (well, should be). Which candidate and political party can produce the most competent, innovative yet simple, inspiring and inviting economic message for a second American century? Whoever it is, this person will be sitting in The White House in January of 2017.
Returning back to the 2014 midterm election today, many of whom have declared it the “Seinfeld election,” as it’s basically about nothing with regards to specific policies and the consequences of these invisible policies. But that can only be partly true because the Senate will likely flip control, indicating it’s at least about something/someone.
Although, Seinfeld was a brilliant television show with engaging characters, talented actors and a surprisingly original, intelligent premise that endured and happily entertained and satisfied its audience for nearly a decade (not counting syndication).
On second thought, maybe this isn’t the “Seinfeld election” after all. What the country wouldn’t give for a dramatically energetic Kramer entrance right about now, declaring the next wildly imaginative invention to solve the world’s problems.
That would really be something.
