Blog Archives

This Is the Beginning for Director Jonah Hill

Gritty. Real. And ironically timeless.

The film ‘Mid90s’–written and directed by actor Jonah Hill–looks like a raw wound has been opened up through the lens of Mr. Hill that eventually heals into something that will make us all stronger. Clearly, the skating scene back in the–you guessed it–mid-90s had a powerful impact on the new director’s life; evident by powerful footage that seamlessly translates scripted movie scenes into reality with little to no disruption to the viewer.

The film’s latest trailer showcases just that.

Exhibit ‘Mid90s’ in late 2018:

(FYI – There are a few choice words in the trailer below)

‘Mid90s’ seems different yet familiar.

Much like the actual mid-90s.

Diving Without a Cage

“Shark Tank” is a popular television show on ABC that highlights the complexities, tribulations, success and wild creativity of burgeoning entrepreneurs. These aspiring capitalists are usually met with harsh realities (and some praise of course) from the show’s all-star business panel, featuring Mark Cuban, Daymond John, Lori Greiner, Kevin O’Leary (aka-Mr. Wonderful), Barbara Corcoran and Robert Herjavec. Each of these businessmen and businesswomen has a great (and in some cases surreal) success story in starting a business and subsequently building an empire.

If there’s a puppy around, then you’ve certainly got the attention of Mr. Herjavec (Hint: no matter the product, bring a puppy!).

The expert panelists listen to a pitch, which comes with an offer that reveals what the person(s) believe is their company’s valuation along with a percentage of ownership for a Shark if they are to invest. The Sharks investigate the product and then engage in an exchange focused on the company’s financial house in an attempt to find any leaks or faulty structures.

This process can be as stressful as, well, starting a business. The great catch of the show is that if one (or more) of the Sharks like the product and/or company, then they can accept the entrepreneur’s offer for capital investment and a percentage of the company or make a counter-offer, all with their own money. Not the show’s money, but their personal money. Consequently, the deals are difficult to come by on this show. There have been some great ideas that were passed on because of one lagging metric, statistic or personal characteristic. However, if a deal can be made, the deal will almost certainly pay immediate dividends because of the popularity of the show. This has been proven in seemingly countless testimonials by former deal makers.

For a show that plays at 9:00 p.m. on the now prime time-less Friday night, “Shark Tank” has done tremendously well. According to “TV by the Numbers,” last week’s episode saw an all-time series high in ratings with 7.5 million viewers. It “equaled a season high in Adults 18-49 (2.0/6). It was Friday’s #1 TV show on both counts.”

It’s a perfect show for America because of the country’s history and necessity for the entrepreneurial engine, then and now. Each member of the panel is a self-made/entrepreneurial millionaire or billionaire. The fortunes, the products and the jobs these individuals have created are undeniably impressive. It’s remarkable what these people, like so many other hard-working Americans, have built from the ground up.

And yes, they/we did build that with hard work, long hours, incredible levels of uncertainty and risk, ingenuity, courage, business savvy and a wherewithal to survive.

It’s very difficult to start and/or run a business, despite what some may foolishly believe.

As a fan of the show, it was exciting to watch a clip recently of a well-known pitchmen who appeared on “Shark Tank.” It’s from a few years back, but it should bring back some fond memories…

http://youtu.be/tyEBm3nCIWg

Saved by the bonds of business and friends.

Happy Monday!

I was scrolling through my iPod Touch this weekend and tapped on “John Williams.” It had been too long my dear friend, too long!

Quite frankly, this quick tap was all I needed to reopen a world of unlimited possibilities and imagination. On this Monday, dream the unthinkable because, if you do, it just may come true…

Happy Monday and Have a (Pre-)Historic Week! 

Top of the Tenth

“As a celebration of the magic of movies involving baseball, at least one scene from a different film will be posted each day for the next nine days…”
—From “Top of the First” March 28th

After a summer of baseball and hijinks, the pinnacle moment had arrived. Stealing your stepfather’s baseball, autographed by Babe Ruth, and hitting your first ever home run with it over the fence into the lair of The Beast is enough to stress out the most powerful superhero. Multiple attempts to retrieve the priceless souvenir were concocted, but ultimately each of them failed. Yet, there they all stood, nervously waiting in anticipation as one of their own was taking his last few breaths of reflection before daring to do the craziest thing any of them had ever seen. The curtain for the final scene of “The Battle with The Beast” was set to rise at any minute. For Benny, his mind was either as clear as a Carolina blue sky or as clouded as a kid unprepared to take a pop quiz in Chinese algebra.

Most can probably quote verbatim the inspirational words Babe Ruth/The Babe/The Great Bambino/The Sultan of Swat/The Colossus of Clout said to Benny “The Jet” Rodriguez in his dream the night before he was destined to take on The Beast.

“Remember kid, there’s heroes and there’s legends. Heroes get remembered but legends never die, follow your heart kid, and you’ll never go wrong.”

And don’t forget to lace up those PF Flyers nice and tight.

http://youtu.be/NUM23-nivFY

It just goes to show you never do quite know who lives next door…

http://youtu.be/74L4lEGysDE

Yesterday’s passing of famed film critic Roger Ebert coinciding with the final scene of “The Sandlot” above reveals the power and cultural significance of the “thumbs up.” Like Smalls and Benny, did Mr. Ebert give it “two thumbs up”?

The Sandlot (3 stars) — “These days too many children’s movies are infected by the virus of Winning, as if kids are nothing more than underage pro athletes, and the values of Vince Lombardi prevail: It’s not how you play the game, but whether you win or lose. This is a movie that breaks with that tradition, that allows its kids to be kids, that shows them in the insular world of imagination and dreaming that children create entirely apart from adult domains and values.”
—Roger Ebert