Blog Archives
Transcending Expectations
What’s the opposite of feeling like something’s new, yet with a contemporary twist?
For those who have listened to the single, “Absolution Calling” by the eternally stellar band Incubus, the question above is an appropriate adaptation (and observation) on a key lyrical phrase from the aforementioned song. Taking a bit of a hiatus, which included their iconic singer Brandon Boyd releasing a solo album, the group is thankfully back with new music. Two singles have been released, but when expectations are nearly astronomical, some time needs to pass to allow new material to mix in with their long list of iconic alternative rock hits.
And each listen proves they are still the same remarkable and innovative band, but with fresh stories to tell. In other words, they appear to be at the place any longtime fan would hope for. Their identity remains unambiguous, but with notes that offer an exciting unknown. “Absolution Calling” has produced a psychedelic vibe that’s sincerely driven by rock with peaks that stretches the creative minds of this band to the very ceiling of their studio. And still, the ceiling can be blown off and onto a Southern California beach under the stars without sacrificing quality or character whatsoever.
This next chapter, which will only involve a few new songs on “Trust Fall (Side A)”, sounds like a lost track that should’ve never been lost. It’s a genuine thrill to hear where they believe their music is after all these years and the point where they want to take off from with their fans.
It’s just very nice to know you are back Incubus.
Happy Monday!
David Hasselhoff has a new music video and it’s not an exaggeration to say it’s crazy-awesome-ridiculous for all the right reasons. At the very moment when you think it can’t get any more absurdly risible, he takes it to another level.
Take a deep breath before watching this video:
Have a Hasselhoff-Caliber Week!
Superman’s Bright(er) Future
This blog is called, “Jimmy’s Daily Planet.” Therefore, intriguing Superman news naturally takes some precedence.
When fans saw Man of Steel in summer 2013, the tone was darker than past film adaptions of the greatest superhero in history. It was understandable, since it was an origin story rooted in realism and constructed in the same spirit as the successful Batman Begins. The latest Superman movie was co-conceived and co-executive produced by the brainchild of Batman Begins and its two cinematic follow ups: Christopher Nolan and Co. For The Dark Knight trilogy, that bleaker color scheme was a brilliant visual decision. However, Superman is not as emotionally dark and conflicted as Batman. There can be moments of inner-friction, but nothing sustaining.
Superman proudly stands for “truth, justice and the American way.”
The brightness of the character and his surroundings never illuminated to full potential, specifically at the end. This seemed to dispel what appeared to be a clever diluting technique that would have symbolized his “coming into the light” of himself, his super powers and his grand purpose in life.
VideoLab produced a fascinating video analysis comparing the real colors when filming versus the finished altered colors in Man of Steel, a final call made by director Zack Snyder.
When the true Man of Steel sequel (not Batman v Superman: Dawn of Justice) comes out in the next couple to few years, it’ll be worth noticing the brightness of the film’s color scheme.
Here’s to hoping that “S” will really pop-off the screen when his journey continues.
Netflix’s House Just Got Fuller
It might finally be time to bite the bullet and subscribe to Netflix.
With an increasing list of television hits in its digital portfolio (House of Cards, Arrested Development, Orange is the New Black), this streaming media service continues to provide consumers with acclaimed, award-winning content. And to prove its cultural awareness and high-quality prowess, it was announced ~12 hours ago on Jimmy Kimmel Live! by John Stamos (“Uncle Jesse”) that Netflix has signed on with a 13-episode order of a spinoff to the 1980s-1990s sitcom smash hit, Full House.
The spinoff will be deftly titled, Fuller House.
Without diving into a thesis on the incomparable nature, influence and surreal number of amazingly timeless sitcoms from the mid-1980s-mid-2000s, this move by the original cast and creators of Full House is a wonderful decision and revival to a series not forgotten by fans for one second since its series finale on May 23, 1995.
There’s only one thing that can be said now: Have Mercy!
Sorry, I’ll cut-it-out. I know, I know, how rude!
I was just reading from my Clipboard of Fun.
Bottom line: Will I watch, Fuller House?
You got it, dude!