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A Stellar Experience

(The Hollywood Reporter)

(The Hollywood Reporter)

“Wow…just, wow.”

That was my initial reaction while walking out of an IMAX theater in Columbus, Ohio on November 7th following a nearly 3-hour space journey that, like many of the great artists of the modern era, requires only a single name: Interstellar. The director and co-writer, (we could go with one name, but since brothers are involved) Christopher Nolan is famous for his incredible physical sets/playgrounds, realism and grit, amazing, star-studded casting and complex stories that have more satisfying twists and turns than one can ever hope to imagine.

Interstellar fulfills all these “Nolan prerequisites” and manages to take it one step higher…if not two.

The science in this science fiction epic is based on work by renowned theoretical physicist Kip Thorne of Caltech, who also served as an executive producer. The science and intergalactic travel juxtaposed with the emotional relationship of farmer Cooper (Matthew McConaughey) and his two children Tom (Timothée Chalamet) and his relentlessly inquisitive daughter Murph (Mackenzie Foy) will pull and tug at your heart strings.

FYI – I firmly believe in maintaining movie plot secrets, so, therefore, the intent of this review of sorts is not to reveal any spoilers, but to attempt to put this film into some concise perspective, which for anyone who has seen it, is no easy task.

Interstellar is a movie about exploration, desperation, family, the unknown, love, adventure, solitude, scientific theory, hope, the dynamics of space travel, heartache and pushing oneself to a myriad of limits. Plus, a perfectly placed surprise here and there…Set in the near future, the broad-ranging inspiration for the story and main character Cooper is something he says while sitting alongside his father in-law Donald (John Lithgow) on their dust covered porch late one night: “We used to look at up at the sky and wonder about our place in the stars…now we just look down and worry about our place in the dirt.”

From the metaphorical curtain rise to the curtain close, this movie is a cinematic labyrinth that will launch its audience through a wormhole of expected and unexpected visuals and circumstances that ultimately gels into an unforgettable experience that is genuinely out of this world, yet deeply rooted in this one. It will hit seemingly every nerve you’ve got for 3 hours for something that feels real and surreal at the same time.

And bridging the real and surreal on the silver screen is, in essence, Christopher Nolan. He does this with the help of his superb wife and business partner Emma Thomas, their production company team (Syncopy Films Inc.) and we cannot forget about Nolan’s screenwriting partner and television producing brother Jonah Nolan. Interstellar was a Nolan family film through and through. Add in a brilliant, cosmically pulsating musical score from good friend and composing partner Hans Zimmer and you quickly realize you are part of something supremely grand.

Quick takeaways: Interstellar is an epic journey, every actor and actress’ performance is the real deal, Mackenzie Foy will damn near bring you to tears and this is a visual and audible experience that showcases what making and seeing movies is all about.

After processing everything featured on Earth and in the film’s multiple galaxies, my verdict (after two IMAX viewings) is simply this:

Wow…I love it.

The Magnetism of Uncertainty

Ambiguity is a powerful, mesmerizing force. The uncertainty can seem boundless, unwilling to yield an answer or sense of finality. In the truest sense, not knowing can create a more treacherous journey than having something spelled out in front of you with clarity.

“Why don’t I know?”

“How can I find out?”

Equal in its hypnotic prowess is the art of music. When a song or an instrumental (music’s bare bones) can touch a nerve within us that yearns for discovering something in the unknown, that motivational energy is special…as well as frustrating. Unfortunately, Christopher Nolan’s next cinematic masterpiece Interstellar will not arrive into theaters until November. Fortunately, the song below (from the film’s second trailer) is available now.

Uncovering the mystery of the unknown can lead to an expedition of epic proportions. As the instrumental proves, the unknown can surround us until we finally choose to move in its direction.

We know the beginning, it’s just the ending that’s a bit unclear…

An Epic Return for the Rocket Man

While this inquisitive thought was born from almost complete randomness, it does actually make logical sense. Bear with me.

Remember, “The Rocketeer” from 1991?

First of all, could a remake or sequel work after all these years? Second, if so, what if Christopher Nolan directed and wrote it with his team of A-list writers and producers?

This could be his team’s chance to tell the story of a hero as opposed to a deeply conflicted anti-hero. The hero, Cliff Secord, would still have internal dilemmas, but he would fit more with a traditional hero within the Nolan-world of cinema.

“Man of Steel” and “Gravity” took flying in cinema to new some new heights this year with memorable sequences, like when Superman puts his fist to the ground seconds before he blasts up into the sky. Watching him burst through the clouds was an utterly fantastic sight. The realism was sublime. The sequences between these two films alone beg the question of what would “The Rocketeer” look like in this “epic age” of film making?

Christopher Nolan is currently making a film about space travel called, “Interstellar.” Is it too far a stretch to transition from this scenario to filming a man with a flying rocket?

Part of what makes this daydreaming idea so intriguing is knowing how successful the original movie was more than two decades ago, before IMAX and 3D became virtually mainstream tools in the movie industry. Imagine sitting in a movie theater surrounded by a pulsating soundtrack scored by Hans Zimmer that tracks Cliff Secord flying in the biggest aerial playground ever conceived with a powerfully engaging back story, enemies of “Dark Knight”-caliber and perfectly injected, mind-blowing plot twists.

The possibilities…

Christopher Nolan has proven his directorial and storytelling forte and magic for re-imagining a popular franchise with his new, modern take on Batman and Gotham City. He then helped Zack Snyder produce, “Man of Steel.” Both the Batman trilogy and the first of at least a two movie franchise for Superman achieved surreal success at the box office worldwide.

Back on September 5th, Entertainment Weekly’s Grady Smith reported the soaring success of, “Man of Steel,” with a global box office that exceeded $650 million.

Of course, “The Dark Knight” trilogy easily surpassed the billion dollar mark in the global box office.

Simply crazy success.

Again, this is merely a random vision. The reality of this Nolan-Rocketeer partnership happening may be just as impossible as a man flying through the skies with a personalized golden rocket pack…

Still, when listening to songs from the “Dark Knight” and “Man of Steel” soundtracks and then listening to the soundtrack from “The Rocketeer” by James Horner, it’s almost impossible not to dream about the surreal treatment given to Cliff Secord by Hans Zimmer and Christopher Nolan/Syncopy Inc.

Watching a potentially epic partnership on an IMAX screen in a movie theater. Well, I don’t know about you, but that’s already got my attention.

If a sequel or remake to, “The Rocketeer” ever does happen, then hopefully movie theaters will be fully stocked for selling gum.

Beemans anyone?