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The I Ran Into a Bomb of a Deal
The argument against the Iran Deal’s publicized “merits” to extinguish the world’s leading state sponsor of terrorism’s pursuit of a nuclear weapon is that a better deal could have been negotiated. The problem with that assertion is the foolish presumption that what currently exists qualifies as an agreement with any degree of effectiveness.
It’s downright terrible and embarrassing on an epic level.
“Iran, in an unusual arrangement, will be allowed to use its own experts to inspect a site it allegedly used to develop nuclear arms under a secret agreement with the U.N. agency that normally carries out such work,” the Associated Press reports.
Don’t be fooled: The P5+1 did not engage in negotiations with Iran all these years, but instead gradually collapsed into a series of devastatingly bad concessions to one of the most dangerous countries in the world.
What did the United States get in this agreement? The answer is increasingly nothing relative to preventing Iran from obtaining a nuclear weapon. The consequences of this deal for Israel are directly connected to its survival.
The key question in all of this is why did it take Secretary Kerry and Co. so long to give the farm and all the land away? The willful incompetence and delusional views of the Obama Administration (not just with this deal) is simply incomprehensible.
If we don’t like President Obama’s terrible, horrible, no good, very bad deal, tough luck because we’ll likely have to live with President Obama’s terrible, horrible, no good, very bad deal.
Out of curiosity, are there any international sanctions against common sense? If so, the U.S. and its P5+1 allies are in trouble.
From 30 Rock to Wordy Shock
The Blue Jean Committee is coming to a TV near you!
Impressionists Bill Hader and Fred Armisen, whose DNA includes the need to relentlessly escape into humorously absurd characters, as well as a ’70s slow rock band, have a brand new show with fellow SNL buddy Seth Meyers. The show is called Documentary Now! and it starts airing on the IFC Channel this Thursday at 10:00 p.m. What’s arguably more insane than their portrayals of well-known documentary filmmakers is that the series has already been renewed for seasons 2…and 3 before episode one has even premiered.
If crazy and ridiculous made a television show together, it would have some catching up to do to match the comedic duo of Hader and Armisen in their latest collaborative experiment.
Whether the show is a success like Armisen’s hilarious Portlandia is up in the air, but at least it will be documented.
The Right Disguise in the Town of Tinsel
The Devil in the White City will officially come to life (a strange sentence, I know) on the silver screen.
Variety reports that Leonardo DiCaprio will play Holmes for Martin Scorsese in a long-awaited adaptation of the popular book. This will be their sixth collaboration after The Wolf of Wall Street, Gangs of New York, The Aviator, The Departed, and Shutter Island. According to Variety, the project has been in development for more than a decade.
—Joanna Robinson, Vanity Fair
In the era of CGI blockbusters, this breaking casting news for a gritty, dark story is oddly refreshing. Ironically, the outcome will likely not be as refreshing as we expect.
But not for the reason you’re thinking.
Leonardo DiCaprio is a gifted actor with an anywhere, anytime magnetism with fans around the world who become instantly attentive with the mere mention of his name. If he’s in a movie, people will see it. The Devil in the White City is a lauded novel with a gruesome premise: murder. And lots of it. Add in the fact that it’s based on real events and the cringe factor is elevated when reading it from the book’s 400+ pages, let alone graphic visual interpretations from a director who refuses to censor violence and its brutal consequences. As certain as the novel’s intense scenes will come close to meeting our imaginative nightmares, so will the DiCaprio-Scorsese partnership remain within the cinematic confines of their past collaborations.
These two Hollywood veterans will produce impressive performances in their own rights from back in 19th-century Chicago, yet this film will likely prevent DiCaprio from earning that sought-after golden statue at the Oscars.
Leonardo DiCaprio is such a money actor (in many ways) that it’s easy for people to envision him in the roles he accepts. That’s a valuable quality in Hollywood and it should be recognized as a defining characteristic of his everlastingly long career. However, some of the most memorable actors with similar charisma, before holding a golden statue with the words, “Best Actor” on it, took on surprising characters that people criticized with striking bewilderment.
There’s a forty second video clip that’s resurfaced from a 2012 documentary that includes Heath Ledger’s diary used for his preparation for his genius portrayal of the Joker in The Dark Knight. Ledger carefully and purposely escaped into becoming the Joker with a terrifyingly original vision and daring creativity that resulted in something truly mesmerizing. There was outcry about his initial casting, yet this was met with nothing but legendary praise following his iconic performance of the diabolical Batman villain.
Heath Ledger shocked the cinematic world in the best ways imaginable in The Dark Knight.
The reason for mentioning Heath Ledger is he (like DiCaprio) had similar skills in playing a wide-variety of characters, but it wasn’t until Ledger took on a role of a lifetime that required him to utilize every single talent he had that he finally revealed himself as a true giant of acting. We were all amazed (and still are) at his performance. At the same time, the audience never saw Heath Ledger on screen. We only saw and heard the Joker.
Discovering how to escape in front of the public eye’s camera is one of DiCaprio’s goals with his personal life, but it’s also the devil he must defeat on film to ultimately grip that coveted golden statue in front of a billion people.
He’s Just Starting to Fly
“There’s plenty of time for individual Superman sequels. He’s a tough character to tell. People like the darker vigilante. I think it speaks to the human psyche more easily rather than the god-like being that we can’t really understand. Once we have a more expansive universe we can delve more into the character of Superman and hopefully tell more stories”
–Henry Cavill (Superman)
This is a nice early birthday present from Henry Cavill. At least future separate movies for the greatest superhero ever created are part of the DC Comics master plan.
Thank goodness.
Following the origin story of Man of Steel (set in a natural environment with gritty roots), it seemed plausible that it would mirror the remarkable Dark Knight trilogy. Even though executive producer Christopher Nolan insisted it was Zack Snyder’s movie and that it would not be the same template as Batman, the tone and build-up was undoubtedly similar. Opportunity for another legendary standalone DC Comics trilogy was there for the taking. Instead, it was declared that the “sequel” would be Batman V. Superman: Dawn of Justice. The enormous universe would be greatly expanded from its many clever clues sprinkled throughout Man of Steel.
The quote above, in the very least, allows a deep breath to be taken by fans who are still wary of seeing a new Batman so soon after Christian Bale’s defining and iconic portrayal (ie– Ben Affleck) and believe that Superman could have seen Dark Knight-like success in its story arc, excellent writing, casting and character development with an isolated trilogy. Plans to weave Superman-centric sequels amongst The Justice League and other solo movies will hopefully succeed in elevating (no pun intended) the Last Son of Krypton to a level not seen since Christopher Reeve. The world wants to see Clark Kent at The Daily Planet, as well as the romantic chemistry between Clark/Superman and Lois Lane.
The time is now to capitalize on superheroes in popular culture, but Nolan and Co. proved that patience and the highest cinematic quality in writing, casting, acting, directing and consequential musical scoring is of paramount importance. There are many profound reasons why men in capes have sustained as important figures in our societies for decades upon decades and the greatest favor a filmmaker can do for these characters is to take them seriously and discover what makes them tick, why they’re eternally relevant and why they’re needed today.
Why put superheroes on the silver screen in the modern era? What’s the reason?
Fortunately, this new Superman is rooted in hope.
