Adrenaline rushes. Defying death. Doing the unthinkable. C’mon, it’s a Monday!
Fact: Tom Cruise doesn’t care what day it is.
(FYI – There’s one quick, but funny, F-bomb at 3:28)
Well, there’s always Tuesday, Wednesday, Thursday, Friday, Saturday, Sunday…
Have a Better Week Than Last Week.
What if movies existed in the late 1700s?
Beethoven’s Symphony No. 5 and Mozart’s Symphony No. 40 defined music in the late 18th century and early into the 19th century. John Williams and Hans Zimmer have arguably made the same contribution with definitive styles and sounds to musical compositions in the late 20th century and early into the 21st century.
Add composer Danny Elfman and artist Artie Kane to the honorable mention list.
And add violinist extraordinaire and movie super fan Taylor Davis as well…?
Inspired by her fandom of a B-movie classic from 1996, violinist Taylor Davis achieved a new, cool level of nostalgic vindication as the cinematic fuse dramatically burns. She beautifully bridged two moments in time separated by nearly four centuries (the creation of the violin and a movie soundtrack) for the original performance above that’s primed for social media sharing. Pop culture is often regarded as a lesser art form. That’s the truth, rightly and wrongly. And yet, absent a fondness for decade defined by brilliant major motion pictures, including Mission: Impossible, the creativity and skill shown by modern musician Taylor Davis wouldn’t exist.
The talent of Ms. Davis makes one wonder about the shelf-life of film scores. As a longtime fan of movie soundtracks, my vote is indisputably in the category that music written and performed for movies are tragically underrated. Why aren’t songs from popular film scores played on the radio?
Some movie soundtracks and its unforgettable instrumentals reveal musical genius.
At least I know Taylor Davis agrees with that sentiment.